I've finished watching Jessica Jones Season 2. A brief (well, for me), spoiler-free (mostly) review:

The show starts off well. In fact, during the first few episodes, I thought it had the potential to surpass even S1, at least in terms of my enjoyment of it. (And I really, really liked JJ S1, so that's saying something.)

But then -- like most of the Netflix Marvel shows (JJ S1 is probably the only one I wouldn't immediately place in that camp) -- the season falters around the middle. These shows are basically written for 10-episode seasons, so some major reveal or development happens around episodes 6-8 -- something that would effectively lead into an engaging climax and wrapup in the latter two episodes. (more...)

So I finished rereading Anonymous Rex yesterday and just received Anonymous Rex on dvd in the mail today... but -- despite the film's sharing its title with the first book in the series -- apparently the film is based on the prequel, Casual Rex! And while I've already ordered that book, it's slated to arrive Friday at the earliest and I'd wanted to watch the movie tonight... but I want to read the book before seeing the film. ARGH.

Also, random thing I realized: when it comes to fluff reading (ie, books that aren't established classics or at least lean towards a literary/pretentious style), I think detective stories are my favorites. I'd never recommend Anonymous Rex over Brave New World or 1984 or Frankenstein or Great Mischief (by Josephine Pinckney; it's probably my favorite book you've never heard of), but it's a really fun read despite (or because of) its ridiculous premise. I kinda want to review Anonymous Rex at greater length; it's got some choice quotes I'd love to share -- and I realize that I almost always feel that way about detective narratives. They're delightful.

This opinion piece in the New York Times -- "Frederick Douglass's Fight Against Scientific Racism" -- is decidedly worth reading.

Of course, "scientific" racism persists in 2018, as one repeatedly learns after delving into the comments of any of the laudatory articles Trump links on his Twitter feed. The final paragraph, which quotes from one of Douglass's final speeches, also rings true today: on more than one occasion I've heard (well-meaning, I hope/assume) white people of my acquaintance who, in noting the depressed state of many minority communities, have wondered why "they" continue to struggle and asked what should be done about "them."

And for readers who haven't seen the movie yet (note that I'm not attempting to shame you for not having seen it yet; apparently that's a thing happening elsewhere on the interwebs), forgive me for the spoiler -- but Black Panther concludes with an especially relevant quote on that point. In a speech to the United Nations, the titular character remarks, "More connects us than separates us -- but in times of crisis, the wise build bridges while the foolish build barriers. We must find a way to look after one another as if we were one tribe."

It's a sentiment that runs counter to much of our current political discourse, what with "BUILD. THE. WALL!" serving as a rallying cry for our current commander in chief, but it is a sentiment that we would all do well to adopt.

So I saw The Disaster Artist. Not a bad little film -- but if you haven't seen The Room (the movie whose making TDA depicts) yet and plan to watch both movies, I'd recommend starting with TDA. Basically, TDA can't answer its most intriguing questions, so what you're left with is the reveal that these guys made a terrible, terrible movie -- and one who's already seen The Room knows that all too well. Viewed in the reverse order, however, I imagine TDA could heighten one's anticipation of Tommy Wiseau's cinematic abomination.

If you've already seen The Room -- and you were so fascinated that you need to know just how it came into being, including the origin of certain character behaviors and the context for certain takes -- TDA will totally be your jam. For me, it ended up feeling kinda superfluous: like the Star Wars prequels, albeit more competently executed.

Bonus for fans of Nathan For You: Nathan Fielder has a small part in it.

Having finished reading John Ajvide Lindqvist's novel Let the Right One In (and the short story sequel, "Let the Old Dreams Die"), last night I watched the Swedish and American film versions back to back. And... it was an interesting experience. I first saw the American film nearly a year after I saw the Swedish one, so it wasn't entirely fresh in my mind -- but from what I recalled the American movie seemed like a superfluous remake of the original, made only for people who for whatever reason can't abide subtitles or dubs. And while it does seem that the American movie is more an adaptation of the Swedish film than of the original novel, my previous opinion of the film isn't *quite* right. (more...)